 Artist: Jaime Torres: mp3 download Genre(s): Latin Rock Other Discography:  Embrujo Del Altiplano Year: 2007 Tracks: 14  Charango Year: 1992 Tracks: 12  Amanta Year: Tracks: 16 Talented charango performing creative person from Argentina, Jaime Torres lettered how to toy this traditional musical instrument, based on the Spanish vihuela, at a loretta Young age, piece taking lessons from Bolivian musician Mauro Nuñez. The creative person issue one running record, called Virtuosismo En Charango, was released in 1964, followed by 1965's Charango and 1967's Aplausos Para Un Charango. That same yr Jaime Torres started touring Europe for the first class honours degree time, moving to the U.S. in 1970 to perform in New York, Washington, and Los Angeles. In 1974 the musician, on with his band, participated in the scuttle show for the world-wide soccer patronage in Germany. A year later, Jaime Torres unionised a local instrumentalists run into, repetition that like go through and through with children in 1980. In 1988 the musician composed the music for the Oscar nominative flicker La Deuda Interna. |
Friday, 22 August 2008
Download Jaime Torres mp3
Tuesday, 12 August 2008
Study Finds That Children And Adults Respond Differently To Placebo
�
According to an article published in the open-access journal PLoS
Medicine, children with drug-resistant partial epilepsy world Health Organization
are enrolled in trials tend to have a greater response to placebo than
adults enrolled in such trials. Philippe Ryvlin (Hospices Civils de
Lyon, France) and colleagues say in their systematic review of
antiepileptic drugs that their findings should be considered when
researchers are design drug trials to be carried knocked out with epileptic
children.
Randomized controlled trials (RCTs) are the monetary standard research methods
used to test a drug against placebo. Most RCTs include samples of adult
patients, and the results ar assumed to hold rightful for children with
the same disease if the dosage is scaled down. Using the results of
adult studies for children has been a coarse approach to treating
epilepsy - a common genius disorder in children in which disruptions in
the electrical activeness of part (partial epilepsy) or all (generalized
epilepsy) of the brain cause seizures. Epileptic drugs take been rather
successful in stopping seizures in well-nigh patients. Since adults and
children respond differently to epileptic drugs, researchers sought-after to
learn the general differences in treatment response between
children and adults; future researchers could so allow for these
differences when development pediatric RCTs. Specifically, Ryvlin and
colleagues analyzed published RCTs of epileptic drugs for fond
epilepsy to look for age-dependent differences in dose response.
The authors searched through the existing RCT literature for trials
that compared the personal effects of giving an extra antiepileptic dose
with those of giving a placebo by request what fraction of patients
given each treatment had a capture frequency reducing of 50% during
the treatment full stop compared to some baseline period - the "50%
responder rate". They plant 32 such trials, five of them pediatric
RCTs. Pooling the results of the studies to perform a meta-analysis,
the researchers plant that the treatment effect was substantial lower
in children than in adults. One reason for this difference, line the
researchers, is that children responded to placebo more frequently than
adults - about 20% of children had a 50% reduction in seizures after
receiving placebo compared to about 10% of adults.
The findings suggest that children with drug-resistant partial epilepsy
react more powerfully in RCTs to placebo than adults. However, results
are limited by the small number of pediatric trials available. The
researchers conclude by career for additional studies that can explicate
this reflection. They maintain that the differences between adults and
children should be taken into account when development pediatric RCTs
for antiepileptic drugs and perchance drugs for other
According to an article published in the open-access journal PLoS
Medicine, children with drug-resistant partial epilepsy world Health Organization
are enrolled in trials tend to have a greater response to placebo than
adults enrolled in such trials. Philippe Ryvlin (Hospices Civils de
Lyon, France) and colleagues say in their systematic review of
antiepileptic drugs that their findings should be considered when
researchers are design drug trials to be carried knocked out with epileptic
children.
Randomized controlled trials (RCTs) are the monetary standard research methods
used to test a drug against placebo. Most RCTs include samples of adult
patients, and the results ar assumed to hold rightful for children with
the same disease if the dosage is scaled down. Using the results of
adult studies for children has been a coarse approach to treating
epilepsy - a common genius disorder in children in which disruptions in
the electrical activeness of part (partial epilepsy) or all (generalized
epilepsy) of the brain cause seizures. Epileptic drugs take been rather
successful in stopping seizures in well-nigh patients. Since adults and
children respond differently to epileptic drugs, researchers sought-after to
learn the general differences in treatment response between
children and adults; future researchers could so allow for these
differences when development pediatric RCTs. Specifically, Ryvlin and
colleagues analyzed published RCTs of epileptic drugs for fond
epilepsy to look for age-dependent differences in dose response.
The authors searched through the existing RCT literature for trials
that compared the personal effects of giving an extra antiepileptic dose
with those of giving a placebo by request what fraction of patients
given each treatment had a capture frequency reducing of 50% during
the treatment full stop compared to some baseline period - the "50%
responder rate". They plant 32 such trials, five of them pediatric
RCTs. Pooling the results of the studies to perform a meta-analysis,
the researchers plant that the treatment effect was substantial lower
in children than in adults. One reason for this difference, line the
researchers, is that children responded to placebo more frequently than
adults - about 20% of children had a 50% reduction in seizures after
receiving placebo compared to about 10% of adults.
The findings suggest that children with drug-resistant partial epilepsy
react more powerfully in RCTs to placebo than adults. However, results
are limited by the small number of pediatric trials available. The
researchers conclude by career for additional studies that can explicate
this reflection. They maintain that the differences between adults and
children should be taken into account when development pediatric RCTs
for antiepileptic drugs and perchance drugs for other
Wednesday, 6 August 2008
On the Road With 'Idol's' Top 10
ROSEMONT, Ill. � It's just past 1 p.m. when a convoy of unmarked luxury tour buses pulls up to Allstate Arena, disgorging 10 "American Idol" finalists in search of a career.
(Michael Becker/FOX)
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A adult hiss from the carriage door. Into the wilt humidity steps Chikezie Eze, who raises a jade eyebrow in greeting. Behind him is Ramiele Malubay, lugging baggage that's about as tall as she is. "I feel like Santa Claus," she groans.
Michael Johns has a spring in his step, merely it's deceiving. "I can't sleep on this thing. I preserve thinking it's going to crash," he says.
Brooke White frowns as she looks down at her whiteness pants. Big spot. "Oh, well," she says, sighing, striding toward the arena's backstage entrance. Then she looks stake. Big smile. "Welcome to madness."
The Byrds posed the musical motion 40 age ago: So you want to be a stone 'n' roll star?
The Idols Live term of enlistment tries to grant that wish. The old-fashioned way.
Dues are being paid here, a tryout by route trip fire that's soothed by both a paycheck and crowds that typically are 10,000 strong.
The Idols pump out intimately a concert a day for 2� months. Nights on cramped bus bunks, mornings in anonymous hotel rooms. Noon-to-midnight shifts split between sign language autographs, performing and sign language more autographs. Sleep, wash, rinse, repeat.
On their rare days off, some surge back to Los Angeles to work on albums. Others hammer away at new songs they hope to record before their 15 minutes of Idol fame are up.
This gig in the flight path of O'Hare International Airport is show No. 13 of 53 identical performances that enclose up Sept. 13 in Tulsa. Surely, camaraderie-mauling strife is bandaged to creep into this grueling picture. Inevitably, the tabloids volition have their headlines ("Michael battles Jason for groupie love!").
Right?
A
Make Some Noise
Artist: Make Some Noise
Genre(s):
Other
Discography:
Campaign To Save Darfur (CD2)
Year:
Tracks: 14
Campaign To Save Darfur (CD1)
Year:
Tracks: 14
Carl Barat Resting After Hospital Discharge
Ozric Tentacles
Artist: Ozric Tentacles
Genre(s):
Alternative
ROck: Alternative
Trance: Psychedelic
Discography:
Spirals in Hyperspace
Year: 2004
Tracks: 9
Eternal Wheel (CD2)
Year: 2004
Tracks: 6
Eternal Wheel (CD1)
Year: 2004
Tracks: 10
Swirly Termination
Year: 2000
Tracks: 7
Become The Other
Year: 1995
Tracks: 8
Tantric Obstacles
Year: 1994
Tracks: 15
Arborescence
Year: 1994
Tracks: 8
Afterswish 1984 - 91 (CD 2)
Year: 1993
Tracks: 12
Afterswish 1984 - 91 (CD 1)
Year: 1993
Tracks: 13
Strangeitude
Year: 1991
Tracks: 8
Erpland
Year: 1990
Tracks: 12
A band from another fourth dimension, Ozric Tentacles served as the bridgework from '70s cosmic sway to the constitutional dance and festival refinement which came secondment into fashion during the '90s. Formed in 1983 with a debt to jazz coalition as well as infinite rock, the band in the beginning included guitarist Ed Wynne, drummer Nick Van Gelder, keyboard player Joie Hinton, bassist Roly Wynne and second understructure guitarist Gavin Griffiths (though Griffiths left in 1984). The Ozrics played in clubs or so London, meanwhile evacuant six-spot cassette-only albums commencement with 1984's Erpsongs. (All six-spot were later gathered on the Vitamin Enhanced box determine, despite a threatened cause from the Kellogg's cereal ship's caller for questionable art.) In 1987, Merv Pepler replaced Van Gelder, and synthesizer player Steve Everett was as well added.
Ozric Tentacles' first major freeing, the 1990 album Erpland, foreshadowed the ill-humored move, a British parallel to America's hippie move of the '60s. Crusties borrowed the hippies' organic dress plus the cosmic mentation of new agers, and played out most of their time travelling around England to diverse festivals and outside gatherings. The apparent motion fit out in perfectly with bands like Ozric Tentacles and the Levellers, and the Ozrics' 1991 album Strangeitude became their biggest vender as yet, occasioning a U.S. contract with Capitol. After the British-only Afterswish and Live Underslunky, 1993's Jurassic Shift hit number 11 on the British charts -- quite an a exploit for a self-generated album released on the Ozrics' possess Dovetail judge. The album was released in America by I.R.S. Records, as was 1994's Arborescence. Neither album translated well with American audiences -- contempt the band's first U.S. tour in 1994 -- and Ozric Tentacles returned to its Dovetail judge for 1995's Get the Other. Waterfall Cities closed taboo the decade in 1999, and the following summer the group resurfaced with Swirly Termination. Hinton and Pepler as well do in the trance-techno outfit Eat Static, and hold released various albums on Planet Dog Records. Ozric Tentacles surfaced in 2000 to acquittance Hidden Step, followed by the EP Pyramidion. In 2002, Live at the Pongmasters Ball came out on both CD and DVD, making it their first speculation into the latter.
Tuesday, 8 July 2008
Leary: 'Show Will Help O'Neal Stay Sober'
Tatum O'Neal's Rescue Me co-star Dennis Leary is convinced the drama series will help the actress stay sober - because her character will also be forced to kick alcoholism. The star was charged with a minor narcotics offence earlier this month after cops caught her exchanging money with a dealer three blocks from her New York home. She claimed the incident was her first lapse in sobriety after a longterm battle with drug addition. O'Neal subsequently joined a recovery program for alcoholics. And Leary - who plays O'Neal's onscreen brother in the show - is convinced that as her character is battling a drinking problem in the upcoming second season, she will be able to put the experience to use in real life. He tells AOL Television, "(Her character, Maggie) got clean at the end of last year and we have this game plan for her that involves staying sober, so it's probably gonna work in Tatum's favour. We were in the middle of planning the next bulk of Tatum's work before (her drug bust), so she's got a place to come back to."
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Friday, 4 July 2008
Annie Don't Stop Album Details Emerge
A tracklisting for the new Annie album 'Don't Stop' has appeared online, as has the UK release date of October 6th (the US issue date is unknown).
The thirteen-tracker was produced by the Norwegian singer herself, alongside Richard X and Timo Kaukolampi (both who worked on her debut album 'Anniemal') as well as Xenomania.
A song called 'My Love Is Better' was thought to be dropped from the record after the the vocals of Girls Alouds which feature on the song were not given the all-clear by their label. A version which loses the girls' vocals will now appear.
Annie releases first single 'I Know Ur Girlfriend Hates Me' on July 14th and the video is viewable here.
Don't Stop Tracklisting:
1. I Know Ur Girlfriend Hates Me
2. Loco
3. Sweet
4. My Love Is Better
5. Marie Cherie
6. Take U Home
7. When The Night
8. What Do You Want (Breakfast Song)
9. Bad Times
10. Heaven & Hell
11. Perfectly Honest
12. Songs Remind Me Of You
13. Misery
See Also
Noothgrush
Artist: Noothgrush
Genre(s):
Metal
Discography:
Failing Early, Failing Often
Year: 2001
Tracks: 17
Erode The Person
Year: 1999
Tracks: 13
Setherial
Artist: Setherial
Genre(s):
Metal: Death,Black
Rock
Discography:
Endtime Divine
Year: 2003
Tracks: 9
Nord
Year: 1996
Tracks: 6
Founded in 1994 by guitarists Alastor Mysteriis and Devolthan, Sweden's Setherial tread the dour and undeviating path to black alloy Hell besides trafficked by fellow Scandinavian acts of the Apostles like Marduk, Emperor and Darkthrone. Come 1996, the group -- by now too featuring singer Kraath, bassist Thorn and drummer Zathanel -- was punctually prepared to enter illustrious Abyss Studios, from whence they emerged in due time bearing their acclaimed Nord debut. Follow-up efforts Lords of the Nightrealm (1997) and Hell Eternal (1999) sawing machine numerous dress changes, and a extended absence preceded Setherial's eventual render to action with 2003's Endtime Divine album.
Diana Krall
Artist: Diana Krall
Genre(s):
Pop
Jazz
Discography:
The Very Best of Diana Krall
Year: 2007
Tracks: 15
From This Moment On
Year: 2006
Tracks: 12
Live In Paris
Year: 2002
Tracks: 12
The Look Of Love
Year: 2001
Tracks: 10
Christmas Songs
Year: 2001
Tracks: 12
When I Look In Your Eyes
Year: 1999
Tracks: 13
Love Scenes
Year: 1997
Tracks: 13
All For You
Year: 1996
Tracks: 13
Only Trust Your Heart
Year: 1995
Tracks: 9
Stepping Out
Year: 1993
Tracks: 11
The Girl In The Other Room
Year:
Tracks: 12
Love's Songs
Year:
Tracks: 16
Singer/pianist Diana Krall got her musical training when she was growing up in Nanaimo, British Columbia, from the classical pianoforte lessons she began at age four-spot and in her high schoolhouse jazz band, merely mostly from her father, a step pianissimo musician with an extensive phonograph recording compendium. "I think Dad has every recording Fats Waller ever so made," she aforementioned, "and I tested to learn them all." Krall attended the Berklee College of Music on a music scholarship in the former '80s, then stirred to Los Angeles, where she lived for trio age before moving to Toronto. By 1990, she was based in New York, performing with a triad and vocalizing. After releasing her first record album on Justin Time Records, Krall was signed to GRP for her irregular, Entirely Trust Your Heart and transferred to its Impulse! division for her third, a Nat "King" Cole Trio tribute album called All for You. Sexual love Scenes followed in 1997, and in late 1998, she issued the seasonal worker Have Yourself a Merry Little Christmas. When I Look in Your Eyes followed in 1999. Whatever noteriety Krall had earned over the years for her work exploded with this album, which became an external bestseller and earned her a Grammy for Best Jazz Vocal Performance. It too was the beginning jazz record album to be nominated for Album of the Year in twenty-five days. Krall's crossover success followed her as she performed in the Lilith Fair the following year and her songs cropped up all over from episodes of Sex in the City to films wish Midnight in the Garden of Good and Evil. In 2001 she released The Look of Love. The album topped the Billboard charts and went quintet pt in Canada, the first by a Canadian wind artist to do so. The Look of Love too helped Krall gain ground threesome Juno awards in 2002, pickings home awards for Artist of the Year, Album of the Year and Best Vocal Jazz Album of the Year. Two years later, Krall issued The Girl in the Other Room. Covering a few standards, this album included original corporeal for the number 1 fourth dimension in her life history. Returning to the large ensemble standards coming of her old album, Krall released From This Moment On in 2006.
Taylor Swift To Rock With Def Leppard!
So country music and heavy metal have more in common than the mullets.
Apparently teen singer-songwriter Taylor Swift has always dreamed of rocking out with British rock giants Def Leppard!
And CMT is going to make her dream come true by arranging for them to play together for Crossroads, the show that pairs country acts with stars from other genres.
Even though Def Leppard formed more than decade before the multi-platinum selling country cutey was born, the Our Song star says that they're still her favorite rock band.
"Every time I've seen Crossroads on CMT I've always thought, 'If I ever get to do one of those, it has to be with Def Leppard!,'" said 18-year-old Taylor, "so this is really a dream come true for me.
"I have been screaming the words to Def Leppard songs for years, so it's amazing that I'm going to get to share a stage with them this year!"
Taylor and the five piece from Sheffield, England, will perform for an invitation-only audience in Nashville in October.
See Also
The BET Hot Mess Awards
Coldplay Play Wembley Arena Gig For Family And Friends
Coldplay warmed up for their forthcoming world tour by performing to 900 specially invited guests at Wembley Arena in London last night (June 13th).
The audience, which consisted mainly of family and friends, were treated to a full 16-song set from the band, who return to the road on Monday (June 16th) with a concert at the Brixton Academy.
Joking with the audience, frontman Chris Martin told them to excuse “this embarrassing shambles of a rehearsal.”
“This reminds me of when my dad, who is 107, took me to Torquay for a pre-season game against Liverpool — and they were absolutely shit,” he said.
“We see this as a pre-season and we’ll be on it when the season starts. Luckily none of you have spent a blind penny.”
The band’s set comprised largely of songs from their new album ‘Viva La Vida’, which sold 125,000 copies when it was released on Thursday (June 12th).
The album, the bands fourth record, is expected to top the charts on Sunday.
See Gigwise’s shots of the band in action below…
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